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The Old Bouquet

Old Bokeh! Exploring the art and technique of blur photography. The Old Bouquet has several meanings, but in particular it refers to a particular place and time in Boise, Idaho.

Monday, January 4, 2010


To the Legal Limits first poem commissioned May 2008

To the Legal Limits
Part One


A Matter of Public Record


I first saw you
Out there
I couldn’t meet  your eyes
Looking  at me in light years
Not sure when to sing
Waiting for me to speak

I watched your hands
Trapped by  your fingers 
We walked the creek bed
And missed our exit
You drank my beer
because it was colder

I don’t remember signing
Above the state seal
You made a promise out loud
A pact with history
I carried in my pocket
After the public sacrifice
Our private consummation
Your leg crossing
In the darkness


Now the day becomes
A hut of dry  bones
Without you
Did I  thank you
For cleaning up the cat pee
Did I thank you
last night

We woke together
An hour ago
Our breath
Hanging in the half light
I forgot the milk
Again
Your patience broke
Sharp places on the floor

It drives me crazy
when you do that
Again and again


Does it matter 
Those button holes
Left or right
If I love you  like thunder
If I wait for hours
On the porch
Not believing fireflies
While you are at class
If I promise
To stop at the store
To be kind to your mother
And pick up my towel
If holding you
I become human

You’ll be asleep
When I get  home
I want to come home now
Let me call you
home



Part Two
A Fell Following


Humans are always human
Our bones call out
To the Other
Fastened sinew by sinew
To the notched haft
A fell following
A trail half seen
In the dusk.
The snow
Catching on our boots,
The grasses discuss
Our passing 
Whisper vespers

There are two pledges
Even in  the old huts,
caves,  basket houses,
walled cities or blinking towers
one to love
made  when the sheet  is damp
and the  radio weeps
too early for  morning
 (the stars were shut and
the breeze stopped on our hair)

Another pledge
Comes with a dowry of goats
Horse blankets or joint checking
Made with ribbons and ink
For the long haul
For      the sighing of  oxygen tanks
For      brothers and sisters
For      those who come after
For      a place on the ramparts
For      dinner in the kitchen


We are all
In a cold and dangerous place
Climbing
Hand to hand  in the dusk
The sleet  running  down our necks
To the soft places hot
Beneath the cloak
One of us stumbles
Kicking rocks out
To tumble over
We hear them falling
Blue into tomorrow
The white space caught
Between our fingers
Is the last tether
Hand to hand 
Leaning out  over the chasm
We choose then
Hand to hand
Or going on alone
Who can deny another
The least comfort

A trail half seen
A fell following
The grasses discuss
Our passing 
Whisper vespers

Reds










Friend 2 jb

Skin Boat -- to a good man lost at sea

A skin boat
Rises on the breast
Of an unswum sea
Borne on frozen waves
Yet liquid, into
The quick mercy of the tide.

In a skin boat
He rides the breathing waters,
Swallowed by
The dusk, on a
Cold and golden sea
Where only heat is human.

In a skin boat,
He finds the homeward lights
Extinguished
Upon a sentient
Shadow rising,
To spill her phosphorescent sigh.

Which of us does not thus ride,
Suffering the cold,
Upon a dark tide
In a skin boat.

Thursday, December 24, 2009

The Milky Way


My soul lets down
As the first pearl
Rolls across a thread-wing curve
His tiny cheek and smile
Created
For this now
To find the sweet and quickly

His pupils, still smoky with eternity,
Were made to see
Only as far as my face
We lie beneath a churning surf of stars
Clearly he knows
And is ready
But I, still engorged with joy,
Am astonished by my own
Nectar

Until the tender hurt
Along his starfish tongue
Triggers a huntress tide
Submerged galaxies of hope and fear
The milk nebula
Is a sudden  introduction
To threats that held
No power before
He came

If I pray for my First Born

(Now driving down to the Capital
For love, his tears rise in the desert
His lens puts time in place)

I must also Pray for Yours

In high rise, or hut, or hangar
Behind a fence, in the field,
Walking shanty roads, crying on the beach



If I pray for my Second Born

(Bounding through striped shadows
Beside his red dog, he comes home
With a green glass gaze too sharp for comfort)

I must also Pray for Yours

In prison hall or dancing for rain,
On the banks of the Jordan, tending the steppes
Weeping, warring, reeling

If I pray for my Third Born

(Who has suffered too much,
Named by his shattering grin
Insisting on Shukran
Stubborn for justice and food)

I must also Pray for Yours

Sleepy with sustenance
Cradled in a pearly tide
We dowse for joy
And In the warring milky night
I have become all
Hopeful Virgin Mothers
Praying for Peace

Wednesday, December 16, 2009

Last Call at the Owl

Last Call at the Owl


after,
you could hear
He is coming like the glory
of the morning on the wave
a coin
spin
in the Owl
silence carved
a chasm after her

bourbon broken voice
woman shards
of desolace
and Nick’s one hearing

aid is not enough
does anybody know the battle
of the coming of the lord

hymn
blue jay talks fast
like a cat crying
in the alley behind
the bar his wife knows
mine eyes have seen the glory
beauty is a crime
none forgive

from auschwitz to alpena
the grapes of wrath are stored

last call
one hand on the end chords
closing out the set

with a glory in his bosom
neither you nor i can see
they  cry
in the wilderness
we know from home

all the words
she carries
rising discarded
by the dim and flaring lamps
faster through each flourish
nick can’t stop
for her voice
his terrible swift sword
is forging on broken
a paper bag
His vessel
sifting out the hearts of men
quavers and shreds
be swift my soul to answer Him
the soliloquy of the lost
stops

after the glory glory
Blue jay
locks up the owl
Nick and Beauty wait while
Hallelujah
falls away

The Heart of The Monster

The heart of the matter
Lies below the canyon wall
Flat silk running
Today the great cat slumbers
The canyon
Yawns and shivers
Slipping past the river
Slow shadows flex toward evening
Waterlight strikes silver
 Just as the Crow calls
Oh My God

It is hard to wait
for the pain to stop

Double strands web the secret stars
a transept
intersects the heart
where it fell
The People singing their Ascension[1]
Into day after silver day


[1]We would have come another way, east of Eden, hallowed by a book, taking a corner of Sumer (some err). I am heir to a home long forgotten whose old heart lies in a stubble field. A small god gone in the fray. 



Fires and ice and grasses passing
Here the blades make obeisance
Coyote passes
The heart
Oh, he flung it here
All planes and darknesses and topaz[1]
The canyon stretches and sighs slumbering
dark rock down one side, on the other
The pattern parting white
Pine and ponderosa
and cradled thereby
the river tickling pearl
sweet belly of the brown trout flashing
on old stone kisses

On the Clearwater
Down from Orofino[2]
 Many hawks wait
Hunting on the wind
Ferruginous, Swainson, Harrier,
Cooper’s, Roughleg, Sharpshinned


[1] Certainly the pain could be worse -- could be a burn or a slide on hot pavement. Hurting enough at night, to discourage dreaming. I’ll try to hold it for someone else --maybe in a holding cell, bruised, cold, waiting. Might as well carry it as something like grace.
[2] ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­If you knew Coyote. He let himself be taken with the others. Turning the monster inside out, he flung the heart right here. Pain comes as briars, or wires, barbed and sticky on the long muscles.  Ages pass the night, trapped beneath the quilts.  After the last battle General Howard massacred those spotted horses, but they still run.


We see each other
From a dizzy height


The solid heart lies
Here at the end
Those grasses are the inscription
Cuneiform in motion
Too quick to read
The meadowlark printing
with her kindling feet
(Broken and mended)[1]
Her bell telling just what
Clarion on the Clearwater

Not the song of the Palouse,
Not plainsong
Stop here
Kingfisher diving
For something darker, brighter,
The canyon wall unwinds
Most holy
Bring the ponies down to drink
Spotted flank and tails flashing


[1] Coyote broke them. Like a bone needle. It was an accident and yes, he mended them later, but you can still see the broken place.



It’s not my place to say
Though the heart consumes me[*]
That lump of earth,
Skips a beat
Sudden rock the center waits
Centuries pass like horses
Dying on the wind

Mayflies still lick the water there
Sliding silk
Holy holy holy
Simmers over flesh
Gravesong, nightsong, windsong, brightsong
Make some other language say it
Fires and ice and grasses passing
The heart of monster
Blessing waters slinging gilt




[*] Communion?


Sunday, December 6, 2009

Blurs from the Desert

Am missing the desert very much right now. To me the blurs catch the "just out of sight" mood of those vast spaces.









you can still see texture in this photograph, but the light changes with the camera movement and the texture looks different to me.



Sunday, November 29, 2009

Dreaming Poland

I actually did dream I was Poland !

Stacy Ericson​1/2/2008



I dreamed I was Poland
Born to be bigger than my current size
My borders shifting
A matter for war and greater crimes
Aching for mountains
Circling the Others
It is snowing in Warsaw
Where my winter has a hunger
More cruel than April
Who stands where so many have fallen?
The wheat fields call for my lost gold
The river canyons have always been at war
My current slides down and down
Tonguing the rim of freedom
Where he lies opposite
Sleepy and sated with bliss and Coca Cola
I in my smaller splendor ripen
Waiting for the grassland to turn
Again again again
Luring some savior home



- Posted using BlogPress from my iPhonelolanf

Saturday, November 28, 2009

practicing still life thanksgiving













































































































Thursday, November 19, 2009

Attempting Still Life


I was losing the light, but it was still fun. The first ones were awful but they improved as I moved in.




























About Me

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Ithili
United States
Pursuing the oddities and strange beauty of blur photography--attained by moving the camera, rather than pursuing a moving subject. I am exploring the culture created by the Iphotography capabilities of the Iphone and am using it to begin the 365 project. I am open to critique and input, suggestions and referrals and will be posting useful links as I find them. See business site at: http://pa.photoshelter.com/c/contrejour
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